The Entertainment Lab and TEG Dainty are excited to be bringing David Walliams and his unique brand of children’s entertainment to Australia this September and October.

The Entertainment Lab and TEG Dainty are thrilled to present the world premiere of An Audience with David Walliams, touring theatres around the country this September–October.

Dustin talks about his career in the sports and entertainment industry, planning major events in the midst of a pandemic and how he managed to execute the most successful FIBA Women’s Basketball World Cup in history.

Whether he’s running a large-scale event or in a Stawell Gift final, Dustin Lockett brings a wealth of experience from both sides of the track to his latest role on the board of Stawell Gift Event Management Ltd.

A new management committee headed by Victorian Athletic League president Stephanie Spence and including broadcaster Jason Richardson has set the Stawell Gift – Australia’s oldest professional footrace – on track for a vibrant future.

TEG is launching a new content division, TEG Experiences, which brings together its family entertainment, experiential and exhibitions businesses to create a powerful new force in live entertainment.

Hit ABC ME series Bluey has signed a deal to screen internationally on Disney Junior from late 2019 and the upcoming streaming service Disney+ in all territories outside Australia, New Zealand and Greater China.

BBC Worldwide ANZ managing director, Jon Penn, said the appointment was aimed at getting greater value from the BBC’s brands, which include Dr Who, Sherlock and BBC Earth.

Hundreds of pipes and drums will ring out across Etihad Stadium on Friday night as the Royal Edinburgh Military Tattoo takes to the stage for a Melbourne first.

As commercial pressure forces production companies and broadcasters to look for dollars outside the six sides of a traditional TV set, popular programs are stepping into the real world and onto the stage.

THE last time teams of roller skaters rammed each other into the rails while racing on a raised, banked track in this country, the carnage was choreographed and broadcast in black and white. But now the banked-track roller derby is back and, its promoters hope, it's here to stay.

Bigger than Bear Grylls and more engaging than a night in with Stephen Fry, the live stage show is dragging us off the couch and into the theatre. As the Bard bumps up against reality TV stars, the tills are alive with the sound of ticket sales. So in the age of the download, why are we still so irresistibly drawn to the real thing?